Softball advances from regionals with valuable lesson on play errors

Mistakes can make the difference.

No. 2 seed UCLA softball (49-6, 20-4 Pac-12) advanced out of the NCAA regionals this weekend, defeating Missouri (35-25, 12-12 SEC) twice in two days, one of which was in a win-or-go-home matchup. In the Bruins’ three games against the Tigers, the teams combined to give up 12 unearned runs on seven errors.

Coach Kelly Inouye-Perez said errors and small mistakes impacted the momentum and results of each game, whether they were committed by UCLA or by their opponents.

“The name of the game is to take advantage of mistakes,” Inouye-Perez said. “It’s a double-elimination tournament, so you have to be able to play your best ball, and if you don’t, then you have to bounce back really quickly and make adjustments quickly.”

The Bruins showed how much of a difference errors can make in Saturday’s 9-1 victory, in which seven of their runs scored were unearned, resulting from three fielding errors by Missouri. Two errors in the fourth allowed the inning to continue and eventually led to UCLA’s six-run, one-out rally to secure the mercy-rule victory.

“In the long game, we knew that they had vulnerabilities, we saw that in February against them,” Inouye-Perez said. “They had vulnerabilities when you put the ball in the dirt and hustle everything out, and we knew that … we’re going to take advantage and put pressure on the defense.”

It was Missouri that took advantage of errors in Sunday’s first game, however, as it jumped out to a first-inning lead on a passed ball and a sacrifice squeeze bunt.

“(We) were just kind of stuck in that first game, we came out dominating in that first game against them and tried to stick to that same game plan, but it clearly didn’t work,” said redshirt junior pitcher Rachel Garcia.

But the Bruins would bounce back in their last game against Missouri, scoring 13 runs – three of which were unearned – resulting from three more errors the Tigers committed.

“We came into the second game much more loose and … with a much better mindset – were very clear with what we had to do, how we had to hit,” said junior outfielder Bubba Nickles.

This same pattern of errors determining games was present in the Norman Regional, where No. 1 seed Oklahoma lost its 41-game win streak to Wisconsin on two sacrifice plays stemming from mistakes made earlier in the inning.

With UCLA ranking right behind Oklahoma in many areas of the game, such as team ERA and team batting average, Inouye-Perez said that these mistake scenarios could decide games between top teams later in the postseason.

“You don’t want to make mistakes, because the lineup will continue to go on,” Inouye-Perez said. “It’s important for us to take advantage of anything that they give us. If they crack doors, that can open up something that is potentially really big.”

UCLA will face James Madison in the super regional this weekend.

Letter to the editor: Public perception of predictive policing is wrong, it can help reduce crime

This post was updated May 21 at 11:28 a.m.

Dear Editor,

Earlier this month, Opinion columnist Lena Nguyen criticized the character and reputation of my colleague, Jeffrey Brantingham, an anthropology professor, in an Opinion column titled “Predictive policing algorithm perpetuates racial profiling by LAPD.” The piece maligned the nature of his work and contributions to the public – joining other attacks on his work in the past few weeks.

There is no merit to the accusations against Brantingham. There is a lot of misinformation and factual errors on this matter.

I am a faculty member in the mathematics department at UCLA and a member of the National Academy of Sciences. I have been the director of the applied mathematics program since 2005. For more than 15 years, I have been collaborating with Brantingham on the development of quantitative models and methods for social science applications, including, but not limited to, crime modeling. I am an investor in the company PredPol and have one publication with Brantingham related to the implementation of its software.

Information about our work is published in more than 15 peer-reviewed publications, written with roughly 25 doctoral students and postdoctoral members in mathematics, more than 10 undergraduate researchers, and faculty in statistics, computer science and criminology at UCLA, USC and UC Irvine.

The use of data algorithms for making decisions in our everyday lives has grown exponentially. Much of this occurs inside high-tech companies with proprietary software. Our team at UCLA believes in putting ideas into the public domain and in transparency of our work. We believe in peer review in leading academic journals. A rigorous study of the effectiveness of the PredPol software, published in the Journal of the American Statistical Association in 2015, concluded it led to significantly lower crime rates over a 21-month period.

I encourage all interested parties, especially those who are signing letters denouncing Brantingham, to read the relevant scientific literature. If you do not understand the technical writings, come and ask us and learn more about the methodology. I have read articles about predictive policing that have significant misinformation. I am concerned these pieces are driving the recent discourse.

I welcome a constructive discussion about the best practices for crime data analysis and data science in general.

Andrea Bertozzi

Distinguished Professor of Mathematics and Mechanical and Aerospace Engineering

Director of Applied Mathematics program UCLA

UCLA Mobile is hardly useful to students, lacking even the most basic features

Imagine having a UCLA mobile app, where you could access everything, from dining hall menus to class schedules, in one place.

Believe it or not, this app already exists. But chances are, you’ve probably never heard of it.

 

The UCLA Mobile app is meant to compile links to university resources into one dashboard for people to access more easily. The app gives users quick access to all of UCLA’s native apps that are listed in its app catalog.

This might all sound great, but there’s one problem: The app is almost entirely useless to students.

It’s difficult to navigate, doesn’t include a search bar, links to other apps or webpages you can open up yourself, and even has a messages tab – perhaps so you can have that coveted one-on-one chat with Chancellor Gene Block.

And the worst part: This is all after 17 updates, the last one being May 11.

In other words, UCLA is still wasting money on this code calamity.

If the university is going to continue spending money on this app, it needs to deliver a viable product that meaningfully consolidates UCLA’s various services. The fact that students barely use the app demonstrates that, despite the years of effort and investment, UCLA is just engaging in this digital pet project for show, with mindless bug fixes and occasional updates to score participation points.

With currently only six ratings in the App Store and an average of 3.2 stars, the UCLA Mobile app clearly isn’t doing a great job of reaching the campus community and beyond. The app has been around since 2014 and is the byproduct of an extensive committee launched in 2010 as a campuswide initiative by more than 20 UCLA campus sectors, including the Office of Information Technology, the English department, the statistics department, the electrical and computer engineering department, UCLA Student Affairs, UCLA Library, the Office of Residential Life, the College of Letters and Science, the undergraduate student government, and UCLA Facilities Management.

With so many people involved, it’s still a wonder no one suggested having a search bar.

The app claims to be a one-stop shop for all things UCLA – something students, alumni, faculty and the community could look forward to using. Instead, it’s just a list of links to other websites and apps.

Emily Wang, a third-year computer science and linguistics student, said she would not use the app because she could Google all the information it provides. She added that the app’s design is not intuitive.

“There’s no search button, and I literally don’t know how I would use this app or what it’s for,” Wang said. “All the apps on top are just links.”

Wang admitted she deleted the app after being interviewed.

And she’s right to have: The app functions more like a glorified brochure. Clicking on the “Academics” tab leads to UCLA’s libraries, faculty and general overview websites. The “Students” tab leads to yet another academics tab. And the map icon leads to the Apple App Store to download yet another UCLA app – hardly practical for those actually looking for a location on campus.

Jessica Block, a second-year linguistics and psychology student, said she only uses the app to peruse dining hall menus – that too because someone happened to tell her about it during her freshman year.

It turns out, the dining hall menu is about the only understandable part of the app. Essential campus resources like financial aid, a campus map and who the dean of students is – her name is Maria Blandizzi, by the way – are only navigable via a labyrinth of links. In effect, the app is a redundant nesting doll of UCLA website links.

And the university is paying people to support this mobile mess.

That’s not to say the app doesn’t have potential. It would be useful if it had more in-house functionalities, a target audience and a clear path for users to navigate. It would benefit from direct access to study list features, a live feed of updates on campus happenings or notifications from the Arthur Ashe Student Health and Wellness Center about things like vaccinations.

While it might seem like a pointed attack at yet another failed UCLA app, we have to remember: This public university is spending money on this mobile app. The least it could do is make one that is actually usable.

 

The app might have made sense in 2009 – with its slogan of “Let Your Fingers Do the Scrolling.” It even goes so far as to inform students that with the creation of smartphones, they can access information “with the ease of reaching into (their pockets).”

But it’s 2019, and UCLA is putting out a primitive app. Students can already access resources like CCLE from their pockets. The point is to give them an easier way to do it.

A search bar might be a good start.

Q&A: New cinematographer-in-residence talks filming process of ‘Star Wars’ and more

Magic is in the mistakes we make, said Dan Mindel.

The recently announced 2019-2020 cinematographer-in-residence at UCLA’s School of Theater, Film and Television has worked on a number of films, including “Star Wars: The Force Awakens” and “Star Trek Into Darkness.” Mindel will return to the “Star Wars” franchise in December with “Star Wars: The Rise of Skywalker.” In working on the film, Mindel said he focused his efforts on retaining the parables and legacy left by the filmmakers of the original franchise.

Mindel spoke to the Daily Bruin’s Paige Hua about his process as a cinematographer tackling franchise films, the necessity of learning from mistakes and the magic of cinema.

Daily Bruin: As a cinematographer, how do you begin to tackle a project?

Dan Mindel: The obvious answer is the script. It’s the potential found in the script that catches my eye when I am looking for new projects. The hard thing to reconcile is the fact that there’s movie business and movie art. The movie business is what I have inadvertently become involved in. As a cinematographer, I work on these giant tentpole movies, and it has sort of shaped the sort of scripts that come my way. Instead, other times the discussion of the story will come to me from the director before the script. Someone like J.J. (Abrams), who I’ve worked with for years, will talk to me, and I will ask to work on the film regardless of the script, given our relationship.

DB: Is there a certain amount of pressure involved with working on franchise films that have become such cultural phenomena like “Star Wars” and “Star Trek?”

DM: With movie business and franchise films, there’s a heightened expectation of the studio to make an engaging, fun film to watch that is financially rewarding for them. Therefore, the movie business becomes a lot about how we frame the movie for the zeitgeist of the moment seeing that these are pop cultural stories and franchises.

DB: What are the similarities and differences you found in working on these films?

DM: The ingredients are all basically the same in a technical sense. The lights, the film, the cameras – but the stories are all definitely different. We try to create different aesthetic environments to put the stories in. Usually, the story leads the environment that we’re going to use, but sometimes it’s the other way around where we have a story, and we have to bring an environment that’s a little different to try to put it into a more exciting place for the audience to watch it.

DB: Is there a line that has to be drawn between the cinematographer and the CGI department with these films that involve heavy amounts of CGI?

DM: Definitely. For more than 15 years I’ve made it my business to understand the CGI world. I was fascinated with it very early on. It’s probably one of the reasons why I end up doing these pictures is because I was a very early adopter of the technology and how to make it work better for me. Part of it is the understanding of where that line lies. I learned from the visual effects coordinators that if I give them good ingredients, they can come up with good CGI.

DB: What exactly comprises these good ingredients?

DM: The levels of interactivity of the light and the sets; we try to include as much in camera as possible. I am very reticent to film on a completely green screen or green set. Sometimes we have to do that – and it’s becoming more and more common – but my first use of CG technology is to get us out of trouble if we can’t do it physically. I try to teach this to my classes that we have to avoid the CG as our first tool. Our second tool is CG and our first tool would be the “magic of cinema” which is doing it on camera.

DB: What challenges do you find when you move between genres of work as a cinematographer?

DM: The challenge is not to repeat oneself over and over. It’s to try to bring different looks and feels and make the camera feel like it’s not been in that place before. We try to bring a bit of magic every time we make a movie so that people get the impression that we are not just coming in, throwing the lights on, pointing the cameras and just shooting. A lot of thought goes into how we’re going to make a film and how we’re going to make it something that’s fun and fresh for the audience to watch.

DB: What advice do you have in regard to balancing the movie business and the art of the cinematographer?

DM: I think the prime ingredient for any sort of creative person is to always try new things. They can’t be frightened to fail. Magic comes from the mistakes, and making mistakes is OK. The thing is that, at a corporate level, you can’t make mistakes on someone else’s dime and when there is a schedule and vast amounts of money at stake. Accidents have to happen before you get to that point, and knowing when and where to try things out is part of the learning process.

Student’s on-campus nail services provide convenience and comfort to peers

Brittany Nguyen wanted to stop biting her nails – so she started painting them.

The second-year sociology student taught herself nail art through YouTube videos at 14 years old. Toward the end of her freshman year of college, Nguyen wasn’t involved in many extracurricular activities; she took to nail art, posting pictures of her work on social media platforms and eventually seeking student clientele. Nguyen said she improvises her work based on each client’s nail preferences, their previous nail appointments with her, their nail length and the clothes they wear. But since she is still fairly new to the nail art field, Nguyen said there is room for improvement.

“It can be pretty daunting when you see some super cool acrylic designs and just think ‘I can’t do that,'” Nguyen said. “But then once you find the time and space to do so, it just kind of flows right out of you.”

While she mostly uses Instagram as the platform to showcase her nail art, Nguyen said she started growing her clientele base through Facebook. Posting about her services on Facebook groups – like UCLA Free & For Sale – and hosting giveaways and service deals helped her gain followers and customers, she said. Nguyen said she typically has seven to 12 clients per week.

“There’s been so many new talented people on the rise (on social media) that a lot of times … it’s hard to create something that people haven’t seen before,” Nguyen said. “It really depends on how much you engage with the people who actually like you for what you do.”

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Her most popular requests from students are white or nude gel nails, but some students like to experiment with neon or bright colors. One client requested for 10 fingers be painted different colors for a music festival, though more common among the bolder requests are stripes and polka dots, she said.

Students sometimes base their requests on designs they’ve found on her Instagram page, she said. Her feed mainly features photos of her clients’ nails, she said, most of which bear simple work, like a solid color in gel polish.

Nguyen said while some nail polish formulas and colors are easy to work with, others require more of an effort. Nguyen said she has about 75 bottles of nail polish in her dorm room for her manicures and pedicures. With her collection of polishes and tools, Nguyen said she starts off her services by buffing and shaping the customer’s nails before painting them.

Marlene Quintanilla Flores, a first-year pre-human biology and society student, said she first learned about Nguyen’s services through her posts on Facebook, on the UCLA Class of 2022 – Official Group. Quintanilla Flores said she prefers her nails long with a simple and plain polish color with no additional design – which is the look she received from Nguyen.

Unlike the occasionally rushed nail salons, Quintanilla Flores said Nguyen pays attention to the small details with her craft – like making sure the edges of her nails are covered in polish. Visiting Nguyen was also less expensive than visiting a professional nail salon, she said. Nguyen said she charges around $12 for a gel manicure. Quintanilla Flores said she thinks students running services out of a dorm can better accommodate students’ needs and schedules.

“At a school like UCLA, … things are not really easily accessible or things are expensive in the area,” Quintanilla Flores said. “(Student-run) businesses are great because they make a little extra cash and then we get what we want without the need of having to go far or pay an extensive amount of money.”

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Nguyen said she considers herself a perfectionist and takes her time with every client. First-year pre-human biology and society student Riya Shah said she also found out about Nguyen’s work through posts on Facebook and has had two appointments in Nguyen’s dorm. Shah said she likes how Nguyen’s services are on the Hill and how she can get manicures and pedicures without traveling far. For her first appointment with Nguyen, Shah said she asked for baby pink nail polish on her fingertnails, and returned after liking her first design. For her second appointment, Shah said she got a white-colored nail polish on her fingernails and a baby pink polish for her toes.

Nguyen said she likes to control and be flexible with her work hours by booking appointments around her classes and study time. Having grown from her dorm into her floor lounge, Nguyen said she enjoys engaging in personal conversations with her customers about family or what happened during class that day.

“I generally do enjoy getting to know my clients (and) I look forward to having new appointments,” Nguyen said. “It’s just … really cool being able to manage myself, my own hours and getting to bring people into my life.”

Group’s play examines different perspectives of conflict by involving audience

Audience members will vote on a doctor’s fate after he uncovers a clandestine truth.

On Sunday at Schoenberg Hall, the CFan Chinese Theater Group will perform “An Enemy of the People,” a 19th-century play by Henrik Ibsen. The play follows Dr. Thomas Stockmann and his investigation of possibly contaminated water, which the townspeople use to operate their popular and profitable springs. As he divulges the truth, he encounters resistance not only from the townspeople but also from his family – audience members will later get involved and share their stance on Stockmann’s actions through a vote that decides whether or not he’s a public enemy.

Although Ibsen originally set the play in a 19th-century Norwegian town, director Wang Yang said they intentionally omitted the location to highlight the play’s universal themes, touching on human nature and ideology. The fourth-year mathematics of computation and linguistics student said they also altered Stockmann’s characterization, aiming to present him as a less perfect hero. Through the production, she said the group wanted to focus on how truth changes depending on perspective and one’s status within a majority or minority group.

“It’s hard to say who is right, who is wrong,” Wang said. “The conflict between the people is unresolvable because of their ideologies.”

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Most versions of the play portray Stockmann as a hero, but to make him more flawed, Lin Sun, the publicity director who also worked on the script, said they portrayed Stockmann as an extreme champion of justice. He feels he is better than the townspeople and is prideful of his profession – these harmful traits eventually culminate near the end of the play, the second-year pre-communication and economics student said.

“He’s not the perfect person who’s against the entire world; that’s not what we’re looking for,” Sun said.

Adding to his imperfection, Shiyu Ji, a third-year statistics student who plays the doctor, said his character is an idealist and believes he will make a positive change despite the townspeople’s adamant resistance because of fear of losing the lucrative springs. For instance, in one scene, Stockmann had informed the newspaper of the water test results, but the mayor, who is also Stockmann’s brother, persuades the paper to not publish them. Unaware of the situation, Stockmann jovially heads back to the news office, ranting about social change and consequently paints himself as crazy, Ji said.

Stage manager Luxuan Huang said the theater group used vintage costumes and props to showcase Stockmann’s more humble traits. The first-year undeclared student said the crew went to vintage stores to purchase 19th-century-style clothing, intentionally choosing muted blue, instead of bright and colorful clothing, for the doctor to highlight his humble profession. Some props, like a bland lamp in the doctor’s home, accentuated his humble social status, unlike the original script, which depicted a luxurious lamp that brightly illuminated the household, she said.

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Sun said the production will also include audience interaction to immerse the audience members in the ongoing conflict between Stockmann and his people. In one scene, the entire town gathers together to listen to Stockmann’s declarations. However, he is quickly portrayed as an enemy of the town, eventually leading them to vote on whether to permanently label him an enemy. During the voting process, actors will bring audience members to the stage and have them vote as well, effectively deciding the doctor’s fate, Sun said.

“If you hear people making speeches about truth, you hear it, but you don’t listen to it,” Sun said. “But if you’re a part of the voting process, if you’re supporting the doctor or supporting other people, that’s going to make a difference to you, to your thinking process, to how you experience this play.”

Even though the play takes place in the 19th century, Wang said it’s still relevant because on a daily basis, people face conflicts because of clashing ideologies and opinions. Sun said she hopes to show that despite differing opinions, neither one is necessarily the correct solution.

“We created this play to be more in a gray area. It’s not the doctor is white and all others are black; everyone is gray,” Sun said. “When (conflict) comes, are we holding our stand? Do we keep to our minority view?”

The Centennial Issue: Forging the Future

or Jan Reiff, activism means caring about issues beyond one’s self and then acting to make positive change on those issues.

“It’s where you harness your emotions and your strong feelings to figure out how to make that turn into something,” said Reiff, a history professor.

In the past hundred years, UCLA has been home to its fair share of activism.

Students have demanded ethnic studies, the end of apartheid and the end of wars. It doesn’t end there. Robin Kelley, the Gary B. Nash endowed chair and a history professor, attended and organized at UCLA in 1980’s. He said he has seen some extraordinary campaigns since.

Kent Wong, the director of the UCLA Labor Center, said he thinks this activist influence is in part due to UCLA’s location. Los Angeles has the one of the largest disparities between rich and poor in the country, a large immigrant population and vibrant communities of color, Wong said. In 2016, the poorest fifth of Angelenos made $25,190 per year, while the wealthiest five percent made $271,041, according to the Brookings Institute.

Wong said the disparity and its proximity to campus means students find themselves at the forefront of issues they will confront in the future.

“The benefit, from my vantage point, is that UCLA students can get hands on feel for some of the critical issues confronting our communities,” Wong said.

Some issues, like the ones below, have challenged student activists for decades and continue to evolve today.

Free Speech

Then: Communism

Reiff, who teaches courses about UCLA history, can trace UCLA’s activism all the way back to the 1930’s, when students protested against war in Europe and later against the anti-Communist House Committee on Un-American Activities.

UCLA students held anti-war rallies and opposed civilian military training, according to archival interviews from the Online Archive of California. Three students were expelled for affiliations with communism.

“UCLA was being called the “Little Red School House,” and the Los Angeles Times was attacking it for being a den of communists,” said University of California free speech scholar Peter Franck in an archival interview.

UCLA administrators attempted to bar partisan political groups and religious groups from bringing speakers to campus, Franck added.

Students worked around the rules, holding unofficial gatherings and permissible “balanced events,” in which two opposing speakers would attend but only the normally-banned speaker would talk.

The attempts to regulate students faded away over time, particularly around 1957, Franck said. This was partly to avoid further student organizing which would have been more disruptive to administrators than just loosening their policies.

Now: Kanye Western, Protesting Speakers, and a New Center

Since the 1930’s, the free speech debate on campus has shifted away from issues of Communism. Often, today’s discussions revolve around balancing free expression with respect for other people.

In 2015, Sigma Phi Epsilon and Alpha Phi held a “Kanye Western” themed party, in which attendees wore baggy clothes, padded bottoms and charcoal on their faces.

About 200 people protested in the following days to demand an administrative response.

Administrators struggled with what actions to take, stating while they disapproved the actions were not technically illegal. The Greek organizations ultimately put themselves on probation and but were not otherwise punished.

In response, UCLA’s Office of Equity, Diversity, and Inclusion launched CrossCheck, a platform to discuss free speech issues in 2015, though it has not been updated since 2017.

More recently, conservative speakers invited to campus have revived controversy about where to draw the line between free speech and hate speech.

A little over a year ago, Bruin Republicans invited conservative pundit Ben Shapiro to speak at an on-campus event.

At first, the university said Bruin Republicans must pay the security costs for the events. However, the university ultimately covered the security costs following accusations that the university was suppressing free speech.

A photograph depicting protests during an event where conservative pundit Ben Shapiro spoke on campus.
When Bruin Republicans invited conservative speaker Ben Shapiro to campus, protests broke out. The event raised questions about free speech on campus. (Amy Dixon/Photo editor)

Ultimately, the event went went on as planned, although it drew protests.

Administrative Vice Chancellor Michael Beck announced a new policy shortly after the event in May 2018, requiring the university to cover security expenses for all major student events on campus. UCLA hopes Policy 862 will facilitate more events that educate students, Beck said in an email statement.

The UC also established a free speech center to study First Amendment issues in 2018.

Ethnic studies

Then: establishment

Before the 1960’s, ethnic studies did not exist on college campuses.

Ethnic studies were established at UCLA in the 1960’s as a byproduct of student activism, said Marcus Hunter, the chair of African American studies and a sociology professor.

Protests about radical recognition sprung up around the UC. Many were peaceful, but some were not. In 1969, Black Panther Party activist Bunchy Carter was murdered in Campbell Hall.

Only a few months later, UCLA established the Center for African American Studies, Asian American Studies Center and the Chicano Research Center. These were different than the departments familiar to students today; the centers had no staff and no established curriculum.

A photograph of Marcus Hunter.
Marcus Hunter, the African American studies department chair and a sociology professor said ethnic studies emerged thanks to student activism. Hunter also coined the hashtag Black Lives Matter. (Ashley Kenney/Daily Bruin)

A few years after, the American Indian Studies Center joined the other ethnic studies centers. Together, they were among the first ethnic studies programs in the United States.

In 1971, UCLA students helped to bring American Indian issues into the national spotlight by participating in the occupation of Alcatraz, said Shannon Speed, the director of UCLA American Indian Studies Center and a professor.

Activists cited the Sioux Treaty of 1868 to assert vacated federal lands could be occupied by American Indians. The U.S. federal government disagreed. The resulting standoff at Alcatraz lasted 19 months.

In that span, UCLA student activists used university cars to shuttle from UCLA and San Francisco Bay over participate, Speed said.

They would go back and forth, she said, still completing their homework and taking exams while simultaneously contributing to an occupation almost 400 miles away.

Speed said the occupation had major impacts for American Indian visibility nationwide and on establishing the American Indian Movement, which has gone on to become one of the most powerful advocates for American Indian issues.

The ethnic studies centers were a start, but in the early 1990s, student activists from the Chicano/a studies center wanted to convert the program into a full department.

After years of negotiations, the Academic Senate backed a proposal to create the department. Chancellor Charles E. Young delayed the matter further by insisting the issue required further study rather than approving the proposal. On the eve of Cesar Chavez’s wake on April 28, 1998, Young rejected the proposal.

Students consequently staged a sit-in over the course of May 11 at the UCLA Faculty Center. The protestors broke windows, costing the university an estimated $30,000 in damages. Police arrested more than 80 people.

On May 24, nine people initiated a hunger strike to pressure Young. Their numbers grew, until a small tent villages surrounded Murphy Hall. The effort attracted national media attention.

The strike went on for 14 days, when Young and protestors agreed to rename and renew the center, although Young insisted the strike had not changed his mind.

Now: empowerment

Hunter said things have changed a lot since the 1950’s in some ways, but very little, if at all, in others.

His examination of the constraints on Black people’s experiences due to racism prompted him to invent the Black Lives Matter hashtag, he said.

“I was in a place of black mattering, if that makes sense,” Hunter said. “…even though research doesn’t attend to that, or wouldn’t have us believe that.”

In the decades since its establishment, the African American studies department has become a crucial training ground for activists.

“In the department, we wind up getting who become central to, for example, Black Lives Matter,” Hunter said.

Case in point, masters student Funmilola Fagbamila is one of the founding members of BLM in Los Angeles.

On campus, the department also serves as a hub for Black students, proving a space from the Afrikan Student Union to hold meetings and helping to make demands to administrators.

Recently, ASU staged a walkout at a UCLA-USC basketball game to draw attention to their long-delayed demands for a Black student center.

In addition to their work in the present, the department is also attempting to capture the history of Black Los Angeles in an archival project, Hunter said. The project will trace the history of Black Angelenos from 1850 onward.

Divestment

Then: South African apartheid

UCLA students were pioneers in pushing for universities to divest.

In the 1970’s and 80’s, UCLA students mobilized to fight segregationist and white supremacist apartheid in South Africa.

Since South Africa was thousands of miles away from campus, student activists targeted a support for the regime closer to home: University of California funding.

A photograph from the archives depicting a protest in the 1980s held by students pressuring the UC Regents to divest its holdings from South Africa.
In the 1980s, students organized to force the University of California Regents to divest its $3.1 billion in holdings from South Africa. Their success helped to end apartheid, said Nelson Mandela in archival interviews. (Daily Bruin archive)

The University of California Regents had over $3.1 billion holdings in South Africa.

Kelley said students assembled shanty towns on campus and held sit-ins at the South African Consulate in Beverly Hills to demand the UC Regents divest from South Africa and Namibia.

He speaks from experience. Kelley was president of the African Activists Association and local chair of the Committee to Keep South Africa Out of the Olympics at UCLA during the 80’s.

By 1986, students persuaded the UC Regents to divest its holdings. The effort took nine years.

Nelson Mandela, a South African anti-apartheid political leader and Nobel Peace Prize recipient, said [how do i say where this is from] he believed the UC’s divestment was particularly significant in abolishing white-minority rule in South Africa.

Now: Immigration and Customs Enforcement

Students adopting divestment-based strategies to generate change on issues today, including the protection of undocumented individuals from immigration enforcement.

Johana Guerra Martinez elected this month to the Undergraduate Students Association Council as external vice president on a platform demanding the university divest from ICE.

Advocacy in recent years regarding Deferred Action for Childhood Arrivals has been especially powerful, Kelley said.

Wong said organizing around and by undocumented UCLA students played a decisive role in passing and protecting legislation like DACA.

“Some of the finest leaders have emerged from UCLA,” he said.

Like the anti-apartheid divestment movement, students have targeted the Regents to demand divestment. Others have rallied around proposals to make UCLA a sanctuary campus.

In 2017, students met Pres. Donald Trump’s decision to rescind DACA with protests.

Speed said she found the mobilization to protect undocumented students following Pres. Trump’s election moving.

“Making sure that our students were going to be protected and safe on campus was really emotionally moving to me,” Speed said.

“Quiet activism”

Then: limited documentation

Reiff said between the most visible spikes in activism, students were still working to improve their communities.

This showed up in a variety of ways, she said, including the establishment of food pantries and homeless shelters. She added medical students have gone to war zones like Kosovo to help aid civilians.

“There’s a real kind of quiet activism at UCLA,” she said.

Within UCLA and Westwood, student activists continue the century-long fight for institutional support and recognition today.

In areas like local politics student activists are just getting started.

Until a year ago, the Westwood Neighborhood Council represented the neighborhood surrounding UCLA to the LA City Council with little to no student input.

Michael Skiles, the founder of Westwood Forward and the president of the Graduate Students Association said he was shocked by the Westwood Neighborhood Council’s dismissiveness toward students when he went to give public comment in 2016. He knew students were being stonewalled on issues including affordable housing, bike lanes and student-friendly businesses.

“If students could have a say in their neighborhood council, all these things could happen,” Skiles said.

So he created the Westwood Forward coalition, made up of students, homeowners and businesspeople in the neighborhood. A few years, a massive social media and on-campus campaign later, Westwood Forward won an election to subdivide the neighborhood and establish the North Westwood Neighborhood Council.

There’s a real kind of quiet activism at UCLA

Other students have worked to get their communities recognized within the university itself.

Justin Feldman, president of Students Supporting Israel and a fourth-year Middle Eastern studies and political science student, said he feels mainstream academia leaves out diverse perspectives.

To address this, he said, members of the Jewish community make an effort to include minority viewpoints into discussions, whether that mean encouraging others to share their thoughts or presenting their own perspective.

“Our representatives have made it a huge effort to be vocal in our own courses and in the mainstream, to give people access to little-known,” Feldman said.

Feldman added he believes it is important to show solidarity and build bridges between communities.

For Javier Rodriguez, a social welfare graduate student, the push for recognition is especially personal.

Rodriguez lobbied UCLA for 20 months to convince administrators to award his friend Jose Ortega, a fourth-year history student, a posthumous degree. Ortega was 12 units away from his degree when he died in 2017.

Rodriguez set up meetings, navigated bureaucratic policies and petitioned. As a formerly incarcerated student, he said he felt the odds were against him.

A photograph of Jose Ortega.
Jose Ortega (pictured) passed away when he was 12 units away from graduating. His friends lobbied for 20 months to obtain a posthumous degree. (Courtesy of Javier Rodriguez)

“For communities like myself that I feel are on the periphery, vulnerable populations… I don’t think UCLA is doing enough,” Rodriguez said. “This institution, the bottom line is, it’s an institution for profit.”

As a member of the Underground Scholars Initiative, a student organization supporting formerly incarcerated students, Rodriguez said he feels a duty to lay the groundwork for all the students coming behind him in a prison-to-university.

We need to build a pipeline from incarceration, a prison to university pipeline,” Rodriguez said. “It’s flipping the school to pipeline on its head.”

Rodriguez said he felt his difficult in obtaining a degree for Ortega is representative of the larger struggle to recognize marginalized groups on campus.

“We just want to feel this space is for us and that’s been a struggle,” he said.

Correction: The original version of this article incorrectly identified the Underground Students Initiative. In fact, the organization is called the Underground Scholars Initiative.

Future

Kelley said he isn’t sure there are many lessons left that current activists haven’t already learned from those who came before them.

“For example they are building coalitions, thinking beyond the confines or limits of their own issues, for the most part,” Kelley said.

Here’s some advice from the UCLA activists and thinkers of today.

Quotes from various people about advice for future students wishing to engage in activism.
(Daily Bruin Design)

For a hundred years, students have worked to balance academics, supporting themselves financially and generating change in the world around them.

Skiles offered a reminder to stay engaged.

“It’s very easy to get so wrapped up in school that one doesn’t take a serious look at issues and see how you can be a part of changing your community,” he said. “But if students do rise up and get engaged, they have tremendous potential to shape their communities.”

Universities give students a space to learn to be activists, Reiff said.

“This is part of your education.”

Contributing reports by PHOEBE MILLER and MARILYN CHAVEZ