Men’s basketball releases nonconference schedule for 2019-2020 season

This post was updated June 19 at 12:24 p.m.

UCLA men’s basketball announced a 13-game nonconference schedule for the 2019-2020 season that will include the Maui Jim Maui Invitational and the team’s first face-off with UNLV since 2015.

This will be the Bruins’ sixth time competing in the Maui Jim Maui Invitational. While the bracket has not yet been finalized, the field of teams includes Georgia, Kansas, Michigan State and Virginia Tech – the last three of which were top-four seeds in the 2019 NCAA tournament.

UCLA will play at Notre Dame on Dec. 14 and face North Carolina at a neutral location in Las Vegas on Dec. 21. Led by former coach Steve Alford, last season’s team beat the Fighting Irish 65-62 at home in December but lost to the Tar Heels in Las Vegas 94-78.

This season, newly hired coach Mike Cronin and UCLA will compete in a preseason exhibition game against Stanislaus State on Oct. 30 before hosting their first five nonconference games starting with Long Beach State on Nov. 6, followed by UC Santa Barbara, UNLV, Southern Utah and Hofstra.

The Bruins were 7-6 in nonconference games under Alford last season.

USAC recap – June 17

This post was updated June 18 at 2 p.m.

The Undergraduate Students Association Council is the official student government representing the undergraduate student body at UCLA. Council meetings take place every Tuesday at 7 p.m. in the Bruin Viewpoint Room and are open to all students. Watch a livestream of the meetings on the USAC Live! channel on YouTube.

Agenda:

  • The council allocated a total of $560 from Contingency Programing Fund to a non-USAC group.
  • The council voted to approve a joint University of Southern California and UCLA statement calling for more transparency from the universities’ administrations during sexual assault investigations.
  • The council approved office space allocations for Kerckhoff Hall. Facilities Commissioner Lily Shaw also extended the application deadline since some office spaces are still vacant.

Note:

  • On June 9, the undergraduate student government judicial board issued a statement in response to a petition submitted by President Robert Watson. Watson petitioned for clarification on the definition of quorum, which is set at two-thirds of council in the association’s constitution. He said since the council is not fully appointed, it had been interpreting the constitution to measure quorum according to the amount of elected officials, 12, instead of the amount of actual offices, 15. The judicial board supported the council’s interpretation.

Underground Scholars Initiative: Just Culture

The Underground Scholars Initiative at UCLA put together a free event to the public on April 20 called “Just Culture” to showcase its movement within the UC community. With several Los Angeles-based vendors, performers and lowriders present at the event, USI helped create an opportunity for many to come together and share their art and stories with one another. Former USI president Javier Rodriguez shares his aspirations for USI and how he hopes the organization will continue to help students who have been affected by the legal system feel at home.

Momentum of 2019 season has track and field optimistic for what’s next

The track and field program improved in the Pac-12 and nationally in 2019, but the Bruins said they’re chasing titles in 2020.

The UCLA men’s track and field team climbed the rankings throughout the outdoor season on the back of strong postseason performances. In the Pac-12 championships, UCLA tied with Oregon with only a few events remaining until Oregon went on to win its 13th consecutive conference championship.

At the NCAA West regionals, UCLA qualified its the highest number of athletes in 10 years, with five of the 20 going on to rack up First Team All-American honors at the NCAA championships.

“The 2019 Bruin squad showed that UCLA track and field is back and will be a force to be reckoned with,” said Avery Anderson, the track and field director.

Rising junior Alyssa Wilson arrived in Westwood during Anderson’s first year heading the program and has gone on to list her name among the Bruins’ best throwers in the UCLA record books. A week after scoring all 10 of the women’s points at the NCAA championships with three top-seven finishes in the shot put, hammer throw and discus, Wilson said she has plans to stand atop the podium in all three events in her final two seasons.

“(A clean sweep) is definitely one of my goals,” Wilson said. “I idolize the girl who did that in previous years – (former Arizona State thrower) Magdalyn Ewen. I just want to be like her.”

Outgoing thrower Dotun Ogundeji was a part of the U.S. Track & Field and Cross Country Coaches Association’s No. 1 ranked shot put squad in the country his freshman year and returned that honor to UCLA before graduating Friday.

Ogundeji said the leadership he instilled in rising redshirt junior Nate Esparza and rising sophomore Otito Ogbonnia will help to sustain the shot put unit as one of the upper-echelon event squads in the country.

“(The men’s throwers) will continue to dominate,” Ogundeji said. “We have some dogs that are returning next year that will take over the NCAA in the future. The senior leadership that we have next year will match the leadership that we have always.”

Rising senior distance runner Robert Brandt returned from an injury-ridden track and field season his sophomore year with three First Team All-American titles – two at the NCAA indoor championships in the 3,000- and 5,000-meter runs and one in the 10,000-meter at the NCAA outdoor championships.

Brandt led the pack at one point in all three races and said he will look to sustain those leads and said he will look to capitalize on those leads to win his final championship races in a Bruin uniform.

“For track, my (10,000-meter) title is definitely my goal,” Brandt said. “It’s going to be something I’m looking to all throughout the summer and next year.”

Brandt was the lone contributor to the men’s tally of one point at last year’s NCAA championships. But with the team’s improvement this year, Brandt said the incentive of the possibility of an NCAA title adds more meaning to his races.

“Just talking to (men’s distance coach Devin Elizondo) after (the NCAA championships) and looking to next year, all that it has to bring for myself and everyone on the team is exciting,” Brandt said. “It just adds an extra layer – you’re not just competing for yourself now, but the whole team.”

Brandt said he will be vying for top-five finishes individually and as a team when he runs for the cross country team this fall.

Q&A: Randall Park reflects on how his time at UCLA shaped his career in acting, writing

As a teenager, Randall Park went to record stores to buy CDs.

Now, he raps about punching Keanu Reeves in “Always Be My Maybe.”

Starring as Marcus Kim in Netflix’s recent romantic comedy, the alumnus paired up with fellow alumni Ali Wong and Michael Golamco to bring the film to life. The rom-com follows Wong as famed chef Sasha Tran, who runs into Marcus, her childhood best friend, after returning to her hometown. This may be Park’s first leading role in a major film, but he first began acting on stage at UCLA’s Northwest Campus Auditorium.

Park spoke with the Daily Bruin’s Kristin Snyder about the film, transforming into his teenage self and his time at Lapu, the Coyote that Cares Theatre Company.

Daily Bruin: You’ve said a lot of your character in “Always Be My Maybe” came from personal experience, but was there anything you were hesitant to include? Or did you want to be fairly candid?

Randall Park: I was pretty open because it certainly helped that I was writing it with two friends of mine, Ali Wong and Michael Golamco, who I’ve known for a very long time. It helped create this comfort level when we were writing where we would just be open about our stories that we wanted to incorporate into the script. And we were familiar with each other’s stories because we have known each other for so long that whenever something felt natural to put it in the script it was something that we all knew about. Not always, but a lot of the times we already were privy to those stories.

DB: Why did you and Ali Wong choose to portray the younger versions of your characters instead of hiring other actors?

RP: I think it was a practical thing. We knew that it would be hard to find actors that looked enough like us that were younger, and we didn’t want it to be too distracting to have actors that didn’t look like us or sound like us for such a big part of the movie, because those teenage years are a big chunk of the movie and there was a lot of comedy and story in those scenes. It just made sense for us to portray ourselves. But it was something that I was worried about because I was like, “I’m 45 years old, I don’t think I can pull off an 18-year-old version of me.” With the help of costume and makeup and some post production effect, I think we kind of pulled it off.

DB: What were some specific details that made that transformation successful?

RP: Our costume designer Leesa Evans is a genius, and she really understood the history of these characters and time period. And a lot of it came from our own teenage years and the way we looked. I wore super baggy clothes when I was in high school and in college. That was the look back then, and my character definitely wears some oversized clothes. The T-shirts with Amoeba Music, like this is a character who goes to the record store and buys CDs. That was definitely me during those years. I was big into record stores. Little touches like that gave the character a pretty strong backstory.

DB: While at UCLA, you co-founded Lapu, the Coyote that Cares Theatre Company – how do you think that has impacted your career?

RP: That was pivotal in my life, that theater company. It was a huge reason why, eventually, I decided to pursue acting professionally – because I fell in love with it at UCLA. I had no experience acting before UCLA. It was through that theater company that I discovered the power of acting and writing, because at LCC we would perform our own original material.

It was such a creatively fulfilling time, to be able to do that and make mistakes and also succeed and perform in packed houses of students who really enjoyed what we were doing. It was a magical time for me, and it definitely planted the seed for me becoming a professional actor, and also for “Always Be My Maybe.” It was literally written by three former LCC members, doing what we did back in 1995, which was write our own material.

DB: What are some standout memories from working with LCC?

RP: I remember the first show. Our very first show was a full-length play that I had written, and we went around campus, we were on Bruin Walk passing out paper fliers. We went to classrooms and asked professors if we could announce our show coming up before class. We’d make weird sketches before class would start to advertise our show. We had no idea if people would show up. But on our first night, the theater was packed, and we performed at the Northwest Campus Auditorium, and we had lines snaking out the door and we had to turn people away. During the actual show, the response was so strong. People were laughing and cheering, and it was such a gratifying experience that it really made us love theater and love telling stories. That first show was so magical, and it will always stay with me as this pivotal experience.

DB: Since then, you’ve dipped your toes in a number of genres, ranging from sitcoms to rom-coms to superhero films. Is there one particular genre you’re drawn to, or one you’d like to try out?

RP: I love the fact that I’ve been able to dip my toes into so many different things, and I want to keep doing a lot of different things. But I guess if there was anything, I’d love to play a detective on a “True Detective” type of show. That would be something I’ve never done, a more dramatic type show with comedic elements. But outside of that, I just love that I’ve been able to do so many different things. With “Always Be My Maybe,” when I haven’t been offered a certain type of role, I have the ability to write it and create it and I can do it on my own without having to depend on someone creating that role of me. It’s very empowering, and it’s something that comes from my years at LCC.