Gay rights advocates protest UCLA ROTC

Gay rights advocates protest UCLA ROTC

‘Don’t ask, don’t tell’ policy sparks protest in Plaza

By Donna Wong

Daily Bruin Senior Staff

In the midst of UCLA’s Coming Out Week, almost 100 students and
community members took the stage on Thursday in Westwood Plaza
again, but this time to protest the military’s "don’t ask, don’t
tell" policy regarding sexual orientation in the Reserve Officer
Training Corps.

Rallying against the use of public funds to finance programs for
the ROTC whose policies, critics say, discriminate against gays and
lesbians, Los Angeles community members spoke out specifically
against UCLA’s ROTC.

Speakers such as state Sen. Tom Hayden, (D-Santa Monica), U.S.
Army Sgt. Jose Zuniga and the Rev. Dusty Pruitt from the
Metropolitan Community Church in Los Angeles demanded change in the
ROTC’s policy, which requires that the ROTC and its cadets not
discuss members’ sexual orientations. These rules fall in line with
U.S. military policy.

Ultimately, the speakers emphasized an end to the discrimination
­ or an end to the program.

"If they won’t end the discrimination policy, we will act in the
budget sub-committee and will strip money from (the ROTC) budget
subsidies until the subsidy for discrimination ends," Hayden said
in his address.

Although some believe the rally’s goal was to kick the ROTC off
the UCLA campus, this wasn’t so, said Julio Rosa, chair of GALA,
UCLA’s gay, lesbian and bisexual alliance.

"Separate but equal is not acceptable," Rosa explained. "We’re
just saying they can’t discriminate."

But Rosa added, "If the only way to resolve the issue is to kick
ROTC off campus, then that’s what may have to happen."

While no officials from the campus ROTC office could be reached
for comment after the rally, one UCLA ROTC instructor who saw the
protest said it seemed significant that there were less people at
the anti-ROTC demonstration, compared to the coming out rallies
earlier this week.

"There really weren’t that many people there to reflect the idea
that UCLA students want to throw ROTC off campus," said J.D.
Whitlock, ROTC naval lieutenant.

And even though Whitlock said he does believe the policy to be
discriminatory, he added there is no other option, considering the
intimate conditions under which people in the military live.

"You’re forcing a person to live with someone who could
potentially be attracted to them," Whitlock said.

Despite these types of living conditions, Zuniga disagreed about
the policy in his address.

"No one should have to live a lie, deny their identity or deny
loved ones because the government requires them to do so," Zuniga
said.

Fifth-year world arts and cultures student Ariella Norminton,
who was passing out anti-ROTC stickers at the rally, said she hopes
she was able to expose students to the issue by talking to those
who passed by.

Rosa stressed the event was successful because the protest
reached beyond the student population and attracted UCLA alumni and
other community members.

But others were disappointed about the low turnout and suggested
more students did not attend because felt they could not make an
impact.

"People are still nervous about the issue," said Jill Morgan,
third-year religious studies student.

During the protest, the speakers stressed the importance of
changing homophobic attitudes now so that future generations will
not have to face discrimination.

"I want the world to be different for that one child in 10 who
isn’t wearing the blue booties, or the pink booties, but the
lavender ones," Pruitt said.

Unusual plutonium levels found near UC lab

Unusual plutonium levels found near UC lab

EPA officials stress no health hazard in public park samples

By Alisa Ulferts

Daily Bruin Senior Staff

About a month ago, plutonium was found in a public park next to
an elementary school near the Lawrence Livermore Laboratory, an
energy lab operated by the University of California.

Hoping to head off unwarranted concern, Environmental Protection
Agency officials have since announced that the elevated levels of
plutonium pose no threat to the health and safety of the
surrounding area.

Samples taken from a public park adjacent to Arroyo Seco
Elementary School in Livermore, Calif. revealed levels of plutonium
reaching only 5 percent of the maximum level allowed by the EPA in
residential areas ­ but still 16 to 160 times higher than the
normal background level, according to agency officials. Background
levels are already-existing levels of plutonium from natural
sources and nuclear testing.

"It is not a health hazard," said Michael Gill, an EPA official
and project manager of the Superfund, a federal waste-management
program, at the laboratory. "But it is a higher level than what has
been expected for worldwide background levels."

Gill said it was possible that the higher levels may have come
from the air stacks at the Livermore Laboratory, even though the
laboratory routinely monitors emissions. The laboratory is owned by
the Department of Defense but is under UC supervision.

"They’ve been a little hesitant (to cooperate)," Gill said of
the laboratory officials. "They didn’t really feel there was a
problem. But we found the need to sample and go back to see if this
was just an anomaly or from the laboratory."

Reports of the plutonium were released by a local environment
group, the Tri-Valley Citizens Against a Radioactive Environment.
The group was concerned that children playing in the area could
stir up and inhale plutonium dust particles.

Officials from the laboratory deny there is a problem.

"The levels the EPA found are 20 times lower than the EPA’s own
standards for residential areas," said Gordon Yano, laboratory
spokesman. "There is plutonium everywhere because of nuclear
testing and naturally-occurring uranium in soil. But exactly how
the (elevated levels of plutonium) got there remains a
question."

Yano said it might have resulted from the laboratory releasing
plutonium into the Livermore city sewage system in the 1960s.
Before the plutonium was discovered, it accumulated into sludge
­ which was then used as fertilizer in Big Trees Park, the
site where the plutonium was found. Yano insisted the level was
negligible.

"If the radiation from the natural uranium in that area is a
penny’s worth, then that radiation plus the plutonium is two
pennies," Yano said. "You’ve doubled the amount, but you still
don’t have a lot of money."

City officials are also unconcerned. Diane Daniel, a spokeswoman
with the Livermore Area Recreation and Parks Department, said the
department had no plans to close the park. "The levels of radiation
are not a threat to children in the park," she said.

The Livermore Unified School District has not received any calls
from parents worried about the radiation and classes will not be
cancelled, said a district spokeswoman.

"A lot of the people here are more used to radioactivity because
they work with it in the lab," said Janet Armentraut,
editor-in-chief of Livermore’s local paper, the Independent.
"Things around here are pretty quiet because (the parents of the
elementary school students) know more about the effects of
radiation."

Plutonium cannot penetrate the skin ­ although it is
poisonous if swallowed, Yano said. It is most harmful if inhaled,
damaging the lung cells and possibly causing cancer.

Pilipino Americans share history with campus

Pilipino Americans share history with campus

Community presents heritage through month-long slate of
lectures, exhibits

By Allison Lefkowitz

Daily Bruin Staff

For the first time ever, the UCLA Pilipino community is sharing
its history and heritage through a Pilipino American History
Month.

Inspired by a trip to the Filipino American National Historical
Society’s conference in San Francisco this past summer, students of
seven different campus Pilipino groups came together to organize
the history month.

"It is very important for people to know about the history of
Pilipino Americans because it is something that is never taught,"
said Dawn Mabalon, director of the Samahang Pilipino Education and
Retention program.

"We are the oldest Asian American group in the United States,
the largest in California and the second largest but fastest
growing Asian Americans in the nation," Mabalon continued.

The students chose October for the history month because the
first Pilipinos stepped foot in the Americas in October 1587. Large
waves of immigration began in 1898 after the United States annexed
the Philippines and since 1965, only Mexico has sent more
immigrants to the United States. Los Angeles is home to the largest
Pilipino American community outside of Manila.

The UCLA Pilipino American population ­ which includes
almost 1,000 students ­ is represented by Samahang Pilipino,
along with other groups including Pilipinos for Community Health
and the Pilipino Recruitment and Enrichment Program.

Students said they planned the history month to educate the
campus about Pilipino American history as well as its modern day
issues and struggles.

"We are receiving national recognition from the Pilipino
community," said Valerie Villaraza, coordinator of the history
month. "We are hoping to set a precedent for other college
communities to follow."

Beginning with a Culturefest held in Westwood Plaza earlier this
month, the history month programs have included a lecture series on
Gender and Sexuality in Modern Pilipino American Culture and a
forum about AIDS in the Pilipino American community.

"The lecture on Gender and Sexuality brought prominent feminist,
gay, lesbian and bisexual Pilipino leaders to campus to talk about
their experiences and give (the students) Pilipino role models,"
said Mabalon.

"The AIDS forum helped to make people feel comfortable talking
about the issue, especially since the Pilipino American community
has the largest number of AIDS cases within the Asian American
community," Mabalon continued.

The month’s activities will continue with programs including an
exhibit in the Kerckhoff Art Gallery, a film in Ackerman Grand
Ballroom and poetry readings.

Pilipino American History Month will conclude on October 27 with
a rally in Schoenberg Plaza to inform the UCLA community about
efforts to save a class on Tagalog, one of the languages of the
Philippines. The class is scheduled to end after this year, and the
Pilipino community is fighting to have it permanently implemented
into UCLA’s curriculum.

"If the administration claims this is a diverse university, then
why can’t Tagalog be offered permanently?" said Ernesto de Guzman,
president of Samahang Pilipino. "There is a demand and an interest
in the subject, and I don’t know why the administration is blind to
this issue."

K.J.: Destination unknown

K.J.: Destination unknown

Will fate permit Kevin Jordan to be the best receiver in UCLA
football history?

Due to a production error, the following article ran
incompletely in the sports section on Thursday, Oct. 13. The Bruin
regrets the error.

By Randy Satterburg

Daily Bruin Staff

He must be aware of the irony of the situation.

Wide receiver Kevin Jordan is putting up All-American-type
numbers in this, his junior season with the UCLA football team.

Through six games this year, Jordan has 40 receptions for 611
yards, numbers which exceed those of J.J. Stokes at the same point
last season.

His average of 101.9 receiving yards per game is the third-best
in the nation and leads the Pac-10. On top of that, Jordan is on a
pace that would make him the Bruins’ all-time leading receiver in
career receptions and receiving yards at the completion of his
senior season.

Does this sound vaguely familiar to anyone? It should.

The UCLA football team is no stranger to receivers having
outstanding junior years. But is it a blessing or a curse?

It all started back in 1991, when Sean LaChapelle burst onto the
scene in his third year of action with the Bruins. His 73 catches,
1,181 receiving yards, and 11 touchdowns amounted to the best
single-season performance ever by a UCLA wide receiver.

With a similar ­ if not better ­ senior year,
LaChapelle could have broken all of the UCLA career receiving
records, and in the process, put them so far out of sight that
nobody would ever threaten them.

It didn’t quite happen that way.

Instead, LaChapelle was slowed for most of the year by fractured
ribs, which allowed him to start in only six of 11 games and held
him to a single touchdown catch.

But LaChapelle passed the torch of unfulfilled expectations to
Stokes, who was immediately anointed as the next great UCLA
receiver. With his 17 touchdowns, 82 catches and 1,181 receiving
yards in 1993, Stokes eclipsed every one of LaChapelle’s single
season receiving marks ­ and was on pace to shatter virtually
all of UCLA’s career records.

Everyone expected Stokes to use this, his senior year, to become
the Hank Aaron of UCLA receivers ­ someone whose records
nobody would dare think about challenging.

UCLA fans ­ and Stokes for that matter ­ need not be
reminded how this fairy-tale story evolved into a haunting
nightmare when a thigh bruise rendered useless any speculation
about the great things he could have accomplished this year.

Stokes’ story represents everything that could go drastically
wrong and did ­ a season so maliciously construed that it
exceeds the bounds of cruel and unusual punishment.

This year, just like Stokes ­ and LaChapelle before that
­ Jordan has laid a foundation for his future as a junior. But
after witnessing firsthand the way injuries can turn expectations
on their head, Jordan must wonder at times whether that foundation
sits atop a fault line.

"Injuries are just a part of the game, they can happen at any
time whether its your junior year or senior year," Jordan says.
"Unfortunately you can see a pattern with Sean and J.J, but that’s
just the way things happened to them. I really cannot worry about
that (happening to me)."

As an active member of the Christian fellowship group Athletes
In Action, Jordan brings a unique perspective to the debate about
God’s role in determining the path one’s life follows.

Despite the fact that football has always been an integral part
of his life, Jordan credits a higher source for his involvement in
the sport.

"(Football) is just something I do because God gave me the
ability to play," he says. "It’s up to Him whether He wants me to
continue to play."

In fact, according to Jordan, his calling in life may lie
somewhere else altogether.

"If I get a serious career ending-injury, then I’ll know that it
was just not meant for me to play football," Jordan says. "I don’t
have control over what happens to me day in and day out. Some
people think they do. But I have to humble myself and say that
Kevin Jordan only has a certain amount of control over his
life."

But this begs the question of what Stokes and LaChapelle did
wrong to deserve such a fate. Did God not want them to be the best
receiver ever to play at UCLA?

"I’m not saying that God did this to get back at J.J. (or Sean)
for anything," said Jordan. "I’m the type of person who believes
that everything happens for a reason. J.J is hurt for a reason. I
don’t know what that reason is, and J.J. probably doesn’t know what
the reason is, but there is a reason for it."

Still, it is an unusual twist of fate that one person’s
misfortune can open the door for another’s success.

Jordan finds difficulty in knowing that every one of his
accomplishments on the field at UCLA will be compared to those of
his good friend off the field, J.J. Stokes. If Jordan goes on for
the successful senior season that has eluded his predecessors, it
would be Stokes’ records he breaks ­ Stokes’ legacy upon which
he infringes.

"It would be kind of bittersweet, because going through the time
when J.J and Sean were here, I wasn’t the man. I’ve done things in
my own quiet way," Jordan says. "If anything like that happens, it
would be nice, but it doesn’t really mean that much to a certain
degree."

Knowing what he does about the unpredictability of life, and
especially football, does Kevin Jordan dare think that he can be
the one to break the string of bad luck that has tripped up two of
the best UCLA wide receivers in history.

"Well, I hope so," Jordan says. "I plan on coming back to have a
good senior year and do whatever I can to help the team. But then
again, you never know."

Stranger than Fiction

Stranger than Fiction

Tarantino’s Pulp Fiction’ is an all-out, rockin’ verbal and
visual onslaught of violence, comedy and Travolta

By Mike Horowitz

Daily Bruin Senior Staff

There are about a million interviews, advertisements, and late
night star plugs for "Pulp Fiction" out there at the moment.

Don’t read or watch any of it. Don’t look at the pictures and
don’t just listen to the dialogue. Put the magazines aside, flip
the channel, and perhaps you should even skip this review for now.
There are too many cats being let out of the bag too early, and the
only way you can save yourself is to run to the theatre. Now.

"Pulp Fiction" has been heralded as an artistic and spiritual
triumph. This may be looking a little too hard to justify its
victory in Cannes. It obviously won because it’s a rockin’,
bad-ass, adrenaline-charged, surf-music-scored, blood-covered,
dialogue-mastered, Travolta-possessed, continuously-engrossing,
geniusly-conceived fuckin’ cool movie from beginning to end and
after which Tarantino should be elected God.

John Travolta and Samuel Jackson lead one of the most talented
casts in recent memory. They play two constantly conversing hit men
for an L.A. mob lord who lead everyday, ordinary, albeit incredibly
bloody lives.

Jackson is good, but Travolta is superb. And while a revisionist
movement is quickly converting him into the underrated performer of
the 80s, it has to be said that he’s never been this great before.
De Palma’s "Blowout," Tarantino’s pick as Travolta’s best, is
decent fare, but Travolta never gets as in sync as he stays in
"Pulp." As nice guy Vincent Vega, who must take his boss’ wife Uma
Thurman out for a night on the town, he is the perfect mix of cool
and cautious. With Tarantino’s trademark dialogue, these characters
can say no wrong, but it’s what’s never said that makes the night
memorable. That, and the twists that send the story careening off
mainstream moviemaking thoroughfares and into irreverence and
insanity.

Three separate stories in "Pulp Fiction" overlap with their
characters and situations. All of the tales support the others
while taking on a unique predicament of their own, big on laughs
and shock value.

Bruce Willis is at his most intense as well. As a boxer paid by
the mob to take a fall in the big fight, his storyline veers even
farther into Tarantino’s bizarre underworld than Travolta’s.

If the dialogue wasn’t constantly hilarious and the characters
less than perfectly-sketched, you would still be entertained by the
basic plot of "Pulp." As Tarantino plays with the chronology as
well, the two and a half hour film bends for maximum effect.

Samuel Jackson, Harvey Keitel, Christopher Walken, Eric Stoltz,
Roseanna Arquette, Amanda Plummer, Ving Rhames, Tim Roth and
Tarantino himself all have integral roles in this film, giving it a
depth nothing since "True Romance" has possessed. The message to
filmmakers is simple: if you write all of your roles, even your
most minimal of parts, with this level of relish and humor,
everyone wants on board. The ability of Tarantino scripts to lure
top talent has already been magnificent.

Upon the release of his biggest triumph yet, it’s almost too
early to start criticizing Tarantino. But this film continues a
trend in evidence in everything Tarantino’s touched (with the
possible exception of "It’s Pat: The Movie"). Quite simply, he’s
racist. He defends his pictures with two arguments: one, that’s the
way he’s comfortable talking, and two, Spike Lee likes ’em. But
it’s hard to overlook the sheer numbers of epithets on-screen. And
Tarantino, Shakespeare of the four-letter word, doesn’t need racial
slurs to be shocking. He’s one of the most exciting and innovative
filmmakers working today, but for him to perpetuate bigotry in a
film that celebrates traditional lowlifes is demeaning, not to
mention less than intelligent.

Tarantino, in the end, escapes most charges of being too
violent, too racist, too anything ­ by being too funny for
anyone to care. Whether that’s a flaw with the critical community
or his underlying motive is difficult to establish. It’s a sick
thing to get away with racism just because you make a great movie
like "Pulp Fiction."

FILM: "Pulp Fiction." Directed by Quentin Tarantino. Opens
today.

O’Donnell shines in comedy

O’Donnell shines in comedy

By Lael Loewenstein

Okay, we admit it. We made a mistake. Despite our prediction
that it would rank as one of the worst films of the fall, "Exit to
Eden" is a deft, hilarious and at times very erotic comedy.

The idea of Rosie O’Donnell and Dan Aykroyd visiting a sexual
fantasy island peopled by women in dominatrix outfits and men in
dog collars seemed about as cheesy as it gets. Not to mention that
the thought of O’Donnell in bondage gear was pretty scary.

Although the plot is about as thin as the dental floss that
passes for string bikinis on the island, it doesn’t really matter.
Director Garry Marshall extracts so much humor from sexually
charged situations that the audience is too busy laughing to pay
attention to the absurd storyline.

O’Donnell and Aykroyd play cops tailing two diamond smugglers to
Eden. Sexually repressed, (the word "tampon" makes Aykroyd’s skin
crawl) they’re the last people who should go to this island resort.
The thugs, in turn, are chasing a photographer named Elliot (Paul
Mercurio).

But Elliot is busy flirting with Mistress Lisa (Dana Delany),
Eden’s equivalent of Mr. Roarke. Lisa has a penchant for spanking
men’s derrieres. Elliot has the same fetish. And that’s how they
spend their first date.

It’s pretty tame stuff ­ there’s no body-piercing or
bloodletting. Director Marshall, after all ,made a dark script
about a hooker into "Pretty Woman."

Marshall has a gift for comic relief. Just when the film seems
to descend into soft core territory, he cuts to the unexpected.
Mistress Lisa spanking Elliot with a hairbrush is juxtaposed with a
shot of Dan Aykroyd watching a Doris Day movie.

O’Donnell practically steals the picture. If there were ever any
doubts that Rosie O’Donnell is a gifted comedienne, "Exit to Eden"
lays them to rest.

There is a feeble attempt to explain, through flashback, why
Lisa got involved in S&M. These scenes seem curiously out of
place. But the rest of "Eden," with its unique blend of comedy and
erotica, is well worth a visit.

MOVIE: "Exit to Eden." Written by Deborah Amelon and Bob
Brunner. Directed by Garry Marshall. Starring Rosie O’Donnell, Dan
Aykroyd and Dana Delany.

Fishbone frontman ‘counts down’ to racial harmony

Fishbone frontman ‘counts down’ to racial harmony

By Gaby Mora

Daily Bruin Staff

Dr. Martin Luther King had a dream. Dr. Madd Vibe (a.k.a. Angelo
Moore of Fishbone) has reason to try and make that dream a reality
this weekend at the Civil Rights Festival Benefit.

The lead singer cites violations of his own civil rights, both
in his personal and professional life, as an impetus to support
King’s dream by standing up for himself in everyday situations. And
despite the fame he has gained headlining national acts like
Lollapalooza and abroad, Moore still faces the same racial tensions
and lives like any other guy ­ with a mowhawk and tattoos.

"I’ve never really done anything like this benefit before," says
Moore, "but I feel that I fight for civil rights by voicing my
opinion wherever I may be. I just hope people will pick up the real
meaning behind the lyrics and slogans that we use."

Although Fishbone’s "Fuck Racism" T-shirt logo is more blunt
than anything King would have said, the message is still
essentially the same. This time, however, the message will not be
delivered through marches or fashion ­ just dancing and
singing. In the spirit of community pride, the festival will
incorporate musical talent along with visual art and a wide array
of vendors in an effort to promote racial harmony.

Along with Fishbone, artists on the roster include War, MC Lyte,
Solomon Burke with a 17 piece orchestra, Nona Gaye, Des’ree, The
Watts Prophets and The Charlie Musclewhite Band. In conjunction to
the festival, sponsored by the International House of Blues
Foundation and the Watts Labor Community Action Committee (WLCAC),
is "Countdown to Eternity," an exhibition of photographs of Martin
Luther King by Benedict Fernandez, and "Beyond the Dream," an
exhibition of photographs, film and memorabilia about Ted Watkins
and WLCAC.

So while some people might attend due to the popularity of the
bands and performers, there is a purpose to the evening other than
good music. Ending society’s racial strains is not a new topic for
Moore, who has extended his talent to another form of expression
through spoken word performances.

As he read poetry to UCLA students in the Ackerman Grand
Ballroom earlier this year, Moore related his experiences as a
black "rock star" in what is considered a white music genre. He
also speaks of encounters with Fishbone fans who enthusiastically
refer to him as their "favorite nigger."

"That’s the kind of thing that really gets me," he explains,
"because I never know who my true friends are. I always have to be
extra cautious, and I really only have a few good friends, despite
the many people who know me."

Moore is also cautious of the fact that the House of Blues
sponsors events in Watts, yet is located in Beverly Hills, an area
he describes as, "the most plastic place of all." He is cynically
amused at the fact that people will go see artists from the ghettos
so long as they are brought into their plush and safe community
­ one reason why he favors the benefit being held in Watts
over any other location.

"In my music, and in my poetry, I just tell the shit how it is
on the streets. And that’s usually not what kids are used to. All
the television shows they watch day in and day out are feeding them
a load of shit. But it’s sugar coated shit, so its easy to
swallow," says Moore in his typically descriptive way. "If they
would just turn the television off for a couple of days and walk
around L.A. they would maybe realize what they have been
eating."

With the ethnic food available along with the entertainment, the
benefit is a perfect way to do just that ­ turn off the
television and put something better in your stomach, mind and
heart.

CONCERT BENEFIT: Countdown to Eternity: A Civil Rights Festival
Benefit. Saturday Oct. 15. 10 a.m. to 8 p.m. at WLCAC headquarters
10950 S. Central Ave. in Watts (three blocks north of the 105
Freeway). Admission is FREE. For more information call (213)
650-2514.