Dare to be stupid

Dare to be stupid

In the first installment of Naked Gun, Leslie Neilsen exits an
airliner to thunderous applause. He bows and acknowledges the crowd
humbly.

But as his police chief informs him, the fans aren’t for
him.

They’re there to cheer for Al.

By Michael Horowitz

Daily Bruin Senior Staff

Spencer’s Explosion creates distinct blues sound

Spencer’s Explosion creates distinct blues sound

Band, on third tour, to make appearance at the Palace
tonight

By Nisha Gopalan

When John Spencer sings the blues, no one gets depressed.

The largely one-word song titles such as "Bellbottoms" and
"Dang" on the John Spencer Blues Explosion’s (JSBX) latest release,
Orange, seem to capture the dynamic nature of the band’s music.
Imagine each song title followed by a exclamation mark.

Vocalist/guitarist John Spencer, drummer Russell Simins and
guitarist Judah Bauer (that’s right, no bassist) continue to
perfect their trademark unpretentious and uninhibited
blues-inspired, feedback-laden, ’70s-driven, rockabilly-esque
hybrid.

"Yeah, we’re called the Blues Explosion, but it’s not really
traditional blues," says Spencer, who virtually has legendary
status in the underground music scene due to his involvement in
Pussy Galore (r.i.p.) and his other current band, Boss Hogg, headed
by his wife, Christina.

Spencer and the Blues Explosion have enough respect for blues
performers such as Hound Dog Taylor and the House Rockers, to draw
inspiration from, and not mimic, them. Furthermore, while he has
seen many of his favorite blues performers live, he is reluctant to
meet them.

"When you do meet somebody, an artist, whose work you really
like, you almost wish you hadn’t met them," says Spencer of lost
mystique.

Spencer goes on to explain that he also has no overwhelming
aspirations to collaborate with some of these blues musicians whom
he admires.

"It would be a thrill," says Spencer about working with any
blues musician he admires, "(but) I’m not really crazy about
collaborations. I sort of like to do my own thing." The closest
thing to a collaboration that the listener gets to hear on Orange
is an appearance from fellow blues fan, Beck.

The compositions transcend the traditional melodic,
verse-chorus-verse formula yet successfully use repetition.
Musically and lyrically, the repetitions in songs like "Full Grown"
become so infectious that a head nod progresses into a foot tap and
ultimately permeates the whole body.

"I think with this record we were just trying to make a better
sounding record. All the songs, we pretty much knew. We’d been
playing them for a couple of months live, whereas in the past
albums we’d do stuff that’s kind of improvised," explains
Spencer.

While Spencer emphasizes the fact that the band "always records
live," they also delegated more time in the recording of Orange to
improve the sound of their album.

So just how long did they take to record Orange?

"(It took) five days or something," says Spencer who quickly
points out that five days is "short to most people, but it was long
for us."

And during those seemingly few days, the band lays down the core
tracks and thereafter Spencer adds to the recording.

"I just do the rest on my own with Jim Waters, the engineer
­ add strings or whatever I think the song needs," says
Spencer who adds that he usually has a good idea, before they even
record, of what sounds to include.

The band is presently in the midst of its third consecutive
tour. Most people may remember the JSBX as the opening act on the
Breeders tour, last spring.

While they are currently headlining their own tour, Spencer says
that he enjoyed being the opening act: "I like that situation where
there’s no pressure and you can just go out and do anything. It’s
always the most fun to play in a place you’ve never played before,
play in front of people who’ve never seen you (before)."

Judging from the jam-factor on the records, the "sweat of the
Blues Explosion" as Spencer sings on "Sweat," their live shows keep
them true to their element. While Spencer reveals that their live
performances are not particularly improvisational, he does hope the
live show will reflect the band’s sincere love of music.

"I don’t think we’re trying to be a soul band or a funk band. I
think we just do what we do and hopefully that makes us (appear)
honest."

MUSIC: The John Spencer Blues Explosion performs Wed. at the
Palace at 8 p.m.

‘Seduction’ adds new edge to spicy formula

‘Seduction’ adds new edge to spicy formula

By Lael Loewenstein

The dark and dangerous femme fatale has long stalked men in
Hollywood films. In classics like Double Indemnity (1944) and Out
of the Past (1946), beautiful and mysterious women lured
unsuspecting men into committing crimes in the name of love, only
to double-cross and kill them later.

Though many have tried to update the film noir formula, few have
been successful. Director John Dahl (Red Rock West), whose film
Last Seduction opens today, is one who succeeds.

Last Seduction stars Linda Fiorentino as Bridget, a woman so bad
she makes earlier femmes fatales look like Mother Teresa. After
planning a lucrative drug deal with her husband Clay (expertly
played by Bill Pullman) in New York, Bridget runs off with the
money while he’s in the shower. Hiding out in idyllic Beston,
Bridget wastes no time getting a job, a new name and a lover, Mike
(Peter Berg). As her "designated fuck," Mike senses she’s trouble
but can’t stay away.

Using her sexual prowess and her instinctual ability to target
men’s weaknesses, Bridget ropes Mike into abetting her with a crime
of her own by killing a supposedly anonymous stranger as an act of
"commitment." Unbeknownst to Mike, the stranger is Bridget’s
husband, who has tracked her down.

Dahl’s straightforward direction lends itself well to this film
noir. Showing an eye for the genre’s clichés, Dahl manages to
update them in a fresh, new way. An insurance scam, for instance
(the scenario behind Double Indemnity) is made possible by
computer, and a driver’s side airbag facilitates a murder.

Steve Barancik’s script captures the genre’s trademark snappy
banter: When an appalled Mike tries to reason with Bridget, saying,
"Don’t you realize you’re talking about murder?" she responds
matter-of-factly, "Yeah, so?"

Last Seduction suffers mildly from an underdeveloped subplot
about another shady woman in Mike’s past, and Bridget might have
been improved by appearing to show just the slightest bit of
emotional ambivalence. But she is so deliciously corrupt, and
Fiorentino’s performance is so much fun to watch, that this
seduction works.

FILM: Last Seduction Written by Steve Barancik. Directed by John
Dahl. Starring Linda Fiorentino, Peter Berg and Bill Pullman.

Advice from an expert: how to avoid Bruin Walk solicitors

Advice from an expert: how to avoid Bruin Walk solicitors

George Tsai

Obstacles and obstructions. Everywhere you go around this
campus, things get in the way of a happy, casual life. The pounding
of the jackhammer at Royce. The roaring of the bulldozer in front
of Ackerman. The long lines of Taco Hell and Murphy Hall. Now, more
things have been slowing you down. Not only are fences and 4x8s
detouring your route of yesterday, ASUCLA thinks you guys actually
need and desire a kazillion more publication kiosks to clog up your
pathway.

But, before I ramble on and complain about fewer parking spaces
and no bike paths, I should bring up one other obstacle. It has
been present on this campus for decades and has subtly eaten away
at much of your leisure time in your stay here. It was probably
here before this construction started, if there ever was such a
time. It probably won’t ease up after this construction ends, if
there will ever be such a time. It is a major cause of congestion
as well as a result of it. Since I don’t want to keep my faithful
Viewpoint readers in suspense too long, and since I need to get to
the point before some English TA goes crazy because there’s no main
point to this paragraph, and since I’m tired of using the word "it"
too many times to begin my sentences, and since this is a run-on
sentence, I’ll name the culprit. Bruin Walk solicitors.

I’ve been a solicitor as well as a victim. I know how it feels
to be on both sides of this problem. I hate solicitors, and I hate
that we hate solicitors. Over the years I’ve been here, too many of
them have caused banners, fliers and roaming clipboards to become
quite ineffective. With so many out there, solicitors have to go to
extremes to attract attention.

Personally, I’ve had to do some pretty strange things to
distract folks on this infamous pedestrian pathway. My lemonade
stand during last spring’s campaign served hundreds of thirsty
Bruins who didn’t want to fork over a buck to ASUCLA for a drink.
Several weeks later, students were able to dump their trash all
over me for a couple of hours until the UCPD arrived and made me
leave.

If you think that’s different, though, you should see the
creative methods pedestrians use to avoid solicitors. I’ve noticed
many different things people do over my four years here that I find
necessary to bring out into the open. These observations serve two
purposes. They work as a helpful guide to solicitors wondering who
the most vulnerable consumer is. And, for those of you who want to
know what it takes to dodge those religious freaks, read the
suggestions in bold print. My ultimate goal, though, is to make
Bruin Walk a happy environment that’s fun and exciting for all.

Avoid eye contact at all costs. This golden rule has been
followed by many students who notice solicitors scoping the
surroundings to target their next victims. This usually happens in
front of Kerckhoff Hall, where students will immediately focus
their attention on the closest inanimate object. Yep, that’s right:
the 99 cent seven-layer burrito sign. When someone is looking at
this advertisement, it’s obvious that this person would rather
stare at an old sheet of metal they’ve already seen for months than
at you. Attention-getting probability: 15 percent.

"Today’s Daily Bruin is the most intriguing newspaper I’ve ever
come across." With all these readers complaining about how boring
and how unentertaining this publication is, it’s hard to believe
that one-third of the campus population walking to class is
extremely interested in what it has to say. When this tactic is
used, it is difficult to predict how the so-called reader will
react to your greetings. Two questions you should ask yourself: how
far has the pedestrian shoved the newspaper into his or her face
and which section of the newspaper is the student reading?

If ink smudges are apparent on the person’s nose or forehead, or
if the head is dug deep into the Arts & Entertainment section,
you will be fighting a hopeless cause of trying to attract
attention. The section of the newspaper matters, too. Viewpoint,
back-page sports, or Letterman’s Top 10: no chance. Classifieds or
news articles past Page 9: go for it.

Pretend that you just saw your best friend and greet him/her as
if you haven’t seen this person in ages. Once the dreaded eye
contact has taken place, people will look around desperately to
find ANYBODY they know, yell the person’s name out with great
emotion, and chat with this supposed long-lost friend. Doing this
gives them a reason to avoid you. Be skeptical. Try to find
peculiarities in the facial expression. See if this person’s face
seems to be silently saying, "Wow, I’m shocked to have
acquaintances greet me this enthusiastically. I must be popular.
These Stuart Smalley inspirational audio tapes sure are a great
help." Does this person appear to be a social loser? If so, you’ve
targeted a liar. Depending on what you’re soliciting for, you may
or may not want to pursue this dishonest fake.

Stare at your feet as if you are shy or as if you’ve stepped in
dog dookie in the past and will never let it happen again. The less
aggressive solicitor will let these people pass by, but the true
salesperson will target them immediately. Of course, you either
have to be extremely nice or say something extremely clever. Sort
of like picking up singles at a bar. Tough job, but you can do
it!

Don’t be a pedestrian! Risk getting a citation while speeding
around campus on a bike. Ouch, this one hurts. These people are
concentrating too hard on balancing that any flier or pause will
cause them to topple over and evoke their angry side. They have the
power to put tread marks on you. No luck here, but if you want
revenge, yell and holler for a bicycle cop.

Many other methods are used, but most have become all too
common: Complete Deafness Method, "I’m in a hurry" lie (as if UCLA
students are that eager to attend lectures), headphones, reflective
sunglasses and T.A. attitudes (Total Asshole). The effectiveness of
my suggestions for you pedestrians depends on your ability to act,
so pick a strategy and test your performance skills. With a little
creativity from both sides, Bruin Walk will soon be something
everybody can look forward to!

Tsai is a fifth-year senior majoring in insect pornography.

Lack of change, not miscommunication, is root problem

Lack of change, not miscommunication, is root problem

By Ben Potter

Undergraduate student president Rob Greenhalgh’s analysis of the
IFC responsorship issue ("USAC must initiate more communication on
campus," Oct. 20) is truly pathetic. Once again, the question of
confrontation and miscommunication among student groups has been
oversimplified, but I must say the rhetoric convinces me that
Greenhalgh could have a promising career in politics ahead of
him.

Despite the enlightening rehash of the all-too-familiar, I am
still left wondering why Greenhalgh did nothing over the past year
to bridge the gap between IFC and those groups (too numerable to
mention) who oppose it. Surely, as a member of USAC, combined with
his deep concern for ongoing "misunderstandings," Greenhalgh took
steps to bring all involved parties together.

It logically follows that in light of his extreme sensitivity to
the issue and his desire to meet the needs of the students ­
all students ­ Greenhalgh himself attended MEChA meetings or
perhaps a gathering of the African Student Union. So, Rob, I’m sure
in your next statement you’ll explain to us all what the experience
was like.

I am slightly disappointed that, as the great mediator of UCLA,
our illustrious undergraduate president has not taken it upon
himself to set up dialogues to end the "misunderstanding" that
plagues this campus.

Oh, wait ­ that’s right; he’s the president and as we all
know he has bigger responsibilities, like fighting to keep fees
down, pushing for financial aid and perhaps taking a stand on one
of the innumerable issues facing this campus daily. Perhaps
Greenhalgh should remember this and get away from the notion that
he has been elected social chair of the student body.

When Greenhalgh speaks of "misunderstanding" and "lack of
communication" he has pinpointed the source of long conflict. For
decades, the minority and underrepresented groups on this campus
have cried out against the elitist nature of both the fraternity
and sorority establishments.

There does seem to have been some misunderstanding however,
because despite these complaints, the system remains a place
reserved for those who fit within its traditionally established
parameters. People are still upset and have been left waiting for
real changes.

Tell me, Rob, what is so hard to understand about that?

Potter is a third-year sociology student.

Innocence is ignorance: a battle with HIV

Innocence is ignorance: a battle with HIV

By Randolph Meredyth Drake

"Innocence is ignorance," Kierkegaard said. Too often we mourn
the loss of innocence as an unfortunate yet necessary transition. I
submit that this passage can be one of deliberate beauty.

I was innocent once.

For some time I did not quite understand the phrase "coming
out." I have been comfortable with my gayness (more so at some
times than others) and could not point to a specific day or year as
my personal or public declaration. I was baffled by those who
could, but tried to respect the growth of their experience.

However, the importance of opening a closet door has now come
crashing down on me like accusations of human rights violations in
the Pete Wilson camp.

I am going to ask you to lose your innocence along with me now.
For many of us, this process has already begun. If you have looked
beyond the ethnic, gender or religious stereotypes that our culture
proliferates and our insecurity reiterates, you have begun to lose
your innocence. I would ask you to suspend all sociological bias
one step further as I reveal to you how HIV has impacted my
life.

I had good reason to believe my test results might come back
positive. Still, nothing can prepare you for that life-altering
moment when your mortality is realized; when colors are a little
brighter; when terror shakes every fiber of your being.

I believed I was going to die.

Certainly, I had the media to support my belief. They
occasionally broadcast the AIDS-related death of a celebrity with a
sorrowful, "Hollywood is mourning the loss of …" Undeniably, I
had some friends to support my belief. Remember, "Be safe. (Sex) is
not worth dying over."

And the entertainment industry would surely not deceive me. If
Tom Hanks (America’s most popular personality) can die in
"Philadelphia," then this, too, must be my fate. Who was I to
question the integrity of a culture that has so responsibly and
shamelessly handled the murder of two people and a fallen football
hero?

I’ll tell you who. I am a gay black man with Jewish blood who,
when it comes to adversity, 1) I’ve had to avoid calls from Oprah
begging me to be on the show and 2) As Bernadette (a.k.a. Frank)
from Priscilla: Queen of the Desert said, "Don’t let (adversity)
drag you down, but let it make you stronger."

So began my education and the loss of innocence which led me to
the realization that HIV is not necessarily tantamount to
death.

I entered the HIV/AIDS community with 12 years of grim baggage.
I had volunteered with some organizations but kept a safe emotional
distance. Imagine my surprise when I met many men and women who
were not dying from the virus but living with it.

Upon meeting these obvious exceptions to the rule I cursed them,
"How dare you be in your ninth, 10th, 12th year of infection and
still be healthy? Didn’t you see And the Band Played On?" I
implored them to get into wheelchairs and hospices and coffins.

They did not listen to me. Rather, they listened to themselves
and each other. I discovered that, along with traditional
treatment, many elected to use spiritual enlightenment, natural
resources or some other form of nontraditional therapy as combative
forces. And I discovered that for many, HIV infection is slowly
becoming a manageable condition.

Make no mistake, I do not minimize the AIDS epidemic. Last year
when I visited the AIDS Quilt, the awesome reality of the hundreds
of thousands who have passed on left me solemn for some time.

Unquestionably, people will continue to contract the virus,
develop AIDS and die. I want their stories told. More importantly,
I want our stories told.

But ask yourself which makes the film at 11 ­ Magic Johnson
maintaining his quality health or Magic Johnson in the hospital
suffering from pneumonia? It is the former question I draw your
attention to.

I’ve observed that, to some extent, many who get sick are
convinced that there is nothing they can do. They resolve
themselves to death with a "live it up now because I’ll be dead
soon" or "poor me" attitude. Admittedly, both points of contention
frustrate me because many of us who are fighting are
succeeding.

I am taking an aggressive approach to my disease and have no
intention of letting it control my life. I am in control of my life
and if HIV wants me it’s going to have to come and get me.

But be warned … this fag bashes back. For every T-cell my
virus would destroy I add another nickel to my bench press. Since I
started training, my body weight and muscle has gone from 190 lbs.
to 225 lbs. For every CD4 percentage point that would drop, I
recommitted myself to my anti-viral therapy which I would do as
part of a study here at school.

And every hour of worry I encountered I spent in front of a
Macintosh writing. I just finished a play which I look forward to
getting produced next quarter.

Like Jews and the Holocaust and blacks and slavery, this disease
is likely to be the cross the gay community will forever bear. As
Spielberg and Halley established in their respective films, history
will judge humanity not by the diversity of our atrocities, but
rather by our capacity to transcend malevolence and reach a higher
plane of awareness.

Be aware that HIV has not stopped me from pursuing an education.
Be aware that HIV did not stop me from running two touchdowns last
week. Be aware that HIV will not stop me from going on a nationwide
young comedian tour next month where I hope to use my stand-up to
spread a more auspicious message regarding this disease. Just be
aware.

Why "come out" with this?

My best friend recently tested positive and lost his mother
within a three day period. (We’re waiting for the locust.) His
innocence has led him into a chasm of despair where life is not an
option. His transition is far more important than my proclivity for
privacy. I would not make such a public declaration unless I was
absolutely convinced that there need not be fear, that anyone can
dramatically improve the quality of life.

And as my co-worker and ROTC sergeant Leland Kim so courageously
demonstrated during National Coming Out Week two weeks ago, a
little education is worth a few personal risks. If this letter
encourages one person to get tested or stops another from putting a
bullet in his or her head or helps to change the stigma associated
with HIV, I offer this as proof that ignorance is not bliss.

Kierkegaard’s statement suggests the claim of innocence amounts
to an insistence on ignorance, a refusal to know. The anecdotal
evidence is in our classes, our residence halls and our homes.

Refusal to look breeds complacency and silence that equals an
uproarious condemnation of death. Rage against the machine and
challenge the mediocrity that would enslave you. And if it is
within you … come out.

Drake graduated with a bachelor’s degree in theater in June.

The heart and soul of Gaucho volleyball

The heart and soul of Gaucho volleyball

Despite adversities,

Collins leads UCSB

against Bruins tonight

By Eric Branch

Daily Bruin Staff

Please excuse UC Santa Barbara outside hitter Heather Collins if
she is not intimidated about facing the third-ranked UCLA women’s
volleyball team tonight in Pauley Pavilion.

You see, after dealing with a serious heart condition, playing
through matches with impacted teeth, violent cramps, chicken pox
and a severe case of the flu, not much fazes the senior from
Poway.

"Heather is a tremendous competitor," UCSB head coach Kathy
Gregory said. "She has always had a remarkable ability to play
hurt."

The extensive Collins medical file began at birth. Collins was
diagnosed with a serious genetic heart condition known as
Wolff-Parkinson-White Syndrome (WPW). While a normal heart rate is
70 beats per minute, a WPW heart can beat up to 300 beats per
minute during an attack.

The condition remained mild until she began her freshman year at
UCSB. The stress of going to college resulted in Collins
experiencing three or four attacks in three weeks. She decided to
undergo "minor" surgery to correct the problem, and quickly found
out that minor surgery is when it happens to another person.

"At first I was told the surgery wasn’t that big a deal,"
Collins said. "But then the doctors told me they were going to wake
me up during the surgery to make sure I was OK, I was just thinking
‘what are you talking about?’."

The doctors did wake up Collins during the surgery and the
"minor" surgery became nightmarish.

"When they woke me up the catheter in my arm was killing me,"
Collins said. "I told them, ‘I’m wide awake right now, like I’m not
even remotely out of it.’ ‘The painkillers didn’t work and then the
doctors starting scaring me because I could hear everything they
were saying."

Despite the harrowing experience, Collins missed a mere three
matches and went on to be named to the Big-West All-Freshman
Team.

"I just wanted to come back and play," Collins said. "When I
first starting playing again it used to pop in my mind on and off
the court. But now it doesn’t bother me anymore."

Since the surgery, Collins has endured the first round of the
NCAA playoffs against Minnesota when she got violent cramps in both
of her calves and ended the match playing defense on her tiptoes.
Another famous Collins war story is the time she played in a
tournament against Arizona State with a severe oral infection.

"She had her wisdom teeth impacted and her mouth was swollen
about five times her normal size," Gregory said. "All their fans
were yelling at her and calling her a chipmunk."

Collins was so unfazed by the pain and the heckling that she set
a single match tournament record with 30 digs and led in kills
while being named to the all-tournament team.

However, despite the heroics, Collins is more than a Purple
Heart recipient. She also happens to be a 1993 Volleyball Monthly
All-American. Currently, she leads the seventh-ranked Gauchos in
kills per game, digs and service aces.

"She is the best all-around hitter I’ve coached," Gregory said.
"She can block, hit and set. She has all the skills."

Collins has attained her status despite possessing less than
ideal measurements for an outside hitter. She stands a mere 5-11,
dwarfish for volleyball these days.

"She’s real thin and not real tall so you don’t look at her as
being a real offensive threat," Gregory said. "However she has
accomplished much more than what people predicted for her as a
recruit."

In spite of her many accomplishments, Collins realizes that her
size can limit her on the court.

"I see all these other players who are just huge and can hammer
the ball," Collins said. "I look at them and I’m like, ‘God, I wish
I could do that.’ I’m just not as big or wide as some other
players."